Sweet zombie Jesus

I just bought myself a manbag. That’s not the problem. The problem is the marketing material I just found in my manbag, which made me want to throw up in the nearest handy receptacle. Fortunately I was still holding the manbag. Here is the glurge:

So you’re interested in PUMA? Nice move. You’re obviously smart, confident, and know what you want in life.

Sure, you work hard, but you’re no slave to the rat race. You know the score. You call the shots. You make the most of your chances.

So buy this it suits you.

I didn’t expect much out of today – it’s 3pm and I’m not even dressed, but now I’m being ironically patronised by my fucking bag. Well the joke’s on you and your self-image, Puma™; I’m both shy, indecisive and lazy. And I’m so smart I think “both” can refer to more than two things. Top that; I’m off to exorcise my manbag.

Pro Forma

It takes a dedicated professional to write a good form. You may think that one you did in Word with the custom editable fields was nifty, but it wasn’t. This is an art-form, my friends (arf arf). I’m prepared to bet, for example, that your effort didn’t have anything as inspired as the following, lifted verbatim from my department’s timesheets:

Section E
=========
Please describe the type of work carried out by entering a number between 1 and 13: _____

There’s not much to say to that, really. Certainly nothing so sissified as a key is offered on the form in question; that would be tantamount to Communism. No concession is made to the fact that integers are not, in fact, a type of work.

This doesn’t bother me. I tend to alternate between 3 and 7, these being the marks out of 13 I would give myself for my day’s work. I put 8 if I had good hair that day. Lord knows what I’m actually claiming for. Maybe there’s some goblin deep in the bowels of the Imperial Bureaucracy who looks at my timesheets, sighs to himself and adds another couple of hours of “Number 7: Surreptitious Masturbation” to my tally. This might explain why I’m kept in an open-plan office these days, although not why I continue to be paid.

Anyway. Having observed the common types of work performed around college, and for the benefit of other students and RAs, I offer the following guide:

  1. Inappropriate Stretching – Time and a half for doing this ostentatiously when a lecturer has asked, “any questions?”
  2. Wobbling the snack machine – Those Hula Hoops may have been stuck there since the 70s, but they’ve got your name on them. That means you were named in the 70s, and are still a student. Loser. Of course, you’re shaking a machine for 40p’s worth of processed food, so no surprise there.
  3. Inviting for Coffee – Productivity is relative; destroy two people’s mornings, and you’ve doubled your own output without lifting a finger.
  4. Pressing F5 – It’s been thirty seconds. There’s bound to be something new. Okay, you’re reading Pig Fanciers Monthly, but it’s better than actual work, right?
  5. Psychological Warfare – “Hey, Dave – how’s that paper coming? Deadline … Tuesday? Ooh, harsh.”
  6. Extra-Curricular Activities – The 4:1 gender ratio will be greatly improved if you take up interpretive dance. Wait, everyone else had that idea? Bugger.
  7. Surreptitious Masturbation – Bonus points for the lecture hall. Triple points if it’s not yourself you’re helping out.
  8. Overt Masturbation – Bold; proud; doomed.

I realise that’s only eight, but I got bored. Too much like work.

You’re a bastard. Me too, though

Tragedy is when I cut my finger. Comedy is when you fall into an open sewer and die.
— Mel Brooks

I’m watching Little Miss Sunshine at the moment, and a highly unoriginal thought just struck me, which is that we, collectively, are a complete set of bastards. We laugh at the most horrible things. I am in the second hour of watching a sequence of pretty vile circumstances being visited on a group of flawed but basically sympathetic characters. At present I believe that four of the six main characters have had their metaphorical hearts ripped out in some fashion, one before the opening credits. There’s half an hour to go, and I fear for the remaining two.

So many of our comedies seem to be based on this sort of thing. A while back I quite liked The Royal Tenenbaums, in which a sequence of pretty vile circumstances were visited on a group of flawed but basically sympathetic characters. I didn’t so much like As Good As It Gets, in which a sequence of pretty vile circumstances were visited on one specific and utterly unsympathetic character. I adored Herman Hedwig and the Angry Inch, in which a series of utterly vile circumcisions were visited on a group of pretty, sequined characters. I’m not sure how the latter is relevant though, to be honest.

Of course, there’s always an element of redemption or fulfilment at the end of these movies; a knobbly carrot chucked to the characters after they’ve been through the wringer for our entertainment. They live a little, learn a little, love a little – perform freakish heart-winning dances against all probability a little. Does this make us less of a set of bastards? I’m not sure. I’m pretty sure they’re just there to make us feel better, rather than to give the characters any genuine respite.

The only way to test this, of course, is to make ever more crushing movies, in which the carrot is made smaller, knobblier–it may even be a turnip–while the hideous sequence of events becomes more and more harrowing. We could even reach a point where Requiem for a Dream could be a comedy. Add a coda in which Jay Leno’s character discovers that having only one arm solves that awkward problem when you’re in bed with someone; y’know, where you both have one arm that you have to lie on if you’re going to face the other person (it’s only polite), so you’ve got two arms in the middle but neither one is really in a position to do anything useful and now it’s getting pins and needles but you don’t really want to mention it and spoil the mood? Well, Jay’s never going to have that problem again! Comedy gold.

Well, maybe not.

Hey, Miss Sunshine just finished. One of ’em made it; I won’t spoil the surprise.

Hiding on the Edge

Professional sport is a dog eat dog world (dog eating itself may be a professional sport by now; who knows?). Sportsmen are constantly searching for new tactics to give themselves an edge over their opponents. Some are specific to certain sports; others are more widely applicable.

Take, for example, England’s victory from this morning over Australia. Man of the match Paul Collingwood (120 not out, two run outs and a great catch) clearly had “the edge”. What was “the edge”? I can tell you: he was hiding. Here he is:

Paul Collingwood hidingYou may say that this isn’t great hiding, and you’d have a point. We can see most of him – you probably spotted him almost right away. But there are two things to take in to account. Firstly, in the middle of the cricket pitch there aren’t many things to hide behind; you’ve got to make the most of what you’ve got. Opposition players have a tendency to move around, and even the portliest of umpires have an alarming tendency to shift at inopportune moments. That leaves just two things, and given a choice between hiding behind the stumps (width: ~1 1/2”) and a bat (width: ~4 1/4”), you’d go for the bat every time. Admit it.

Secondly, it’s a question of attitude. Look at his face. That’s a hiding face if ever I saw one. That sort of face would most certainly say “boo” to a goose, because the face would have spent half an hour positioning itself for precisely that purpose. The only thing that could make it more of a hiding face would be if I couldn’t see it, and then I wouldn’t know what it looked like. I would venture so far as to say that no-one on that cricket pitch was more committed to not being seen than Paul Collingwood.

Steven Gerrard hidingCommitment matters. Take this lamentable example of hiding from England’s Steven Gerrard. Okay, we can see what he’s going for, but his heart’s not in it. It’s not obvious from this picture (the Spanish team are hiding much too successfully), but at this point the game is actually over, and England have lost. It’s far too late for Stevie’s hiding to affect the match. He is, you might say, on a hiding to nothing.

Gunnar, not existing.There are other methods of hiding, of course. See if you can spot Swedish cross-country skier Gunnar Olafsson-Olafsson in the picture to the left. You can’t, can you? Admittedly I made him up, but that’s just one more indication of how effective hiding in plain sight can be. If your opponents aren’t even sure that you exist, you know you’ve done your hiding thoroughly, and to good effect. It’s hard to ski when existentially confused. Gunnar is ahead of the game without even needing to be born, let alone don skis. Never underestimate the benefits of practical nihilism when it comes to hiding. If you already exist, however, I don’t recommend killing yourself or anything stupid like that. That’s excessive, plus you lose mobility and tend to get a honking great marker stuck on top of you. Hiding while dead is remarkably difficult, at least for the first couple of hundred years.

Active hidingYou wouldn’t expect it from a rugby player, but innovation in hiding is everywhere you look (although obviously difficult to spot). On the right, an Italian player attempts “active hiding”, by which method he is able to effect the concealment of his entire team from one French back. He’s got one eye covered, and you can see he’s going for the double. The downside here, of course, is that the victim can be pretty sure where at least one person is, and the traditional method of confusion in this situation (affecting an effeminate voice and saying, “guess who?”) tends to lead to mockery in contexts as macho as professional rugby.

Tiger Woods, hidingI leave you with a truly execrable bit of hiding from allegedly the best golfer ever to wield a club. Tiger Woods is even believed by many to be the greatest sportsman of modern times, but if this woeful bit of concealment is in any way indicative of his talents there must be hordes of golfers playing far more exquisite shots, but so dedicatedly hidden from view that they never even reveal themselves to claim their prizes. What’s he going for here? He can’t be hiding from the camera; even the sort of fool who believes you can hide behind your hands knows that you have to place them between yourself and the observer to have any chance of success. Is he trying to hide his eyes from the sun? If so, spot the rookie mistake. Tiger can’t see it; the sun’s in his eyes.

The Dr Pepper Conundrum (3)

Dear Barry, (may I call you Barry?)

It is with a heavy heart that I write to you today, for my cat, Lucky, passed away last night. I know what you’re thinking, but no; in fact it was a lamentable lack of curiosity that did him in. Had he shown more interest in the approaching headlights, and less in licking his anus, he might still be with us today, and my lessons about the perils of irony would not have been in vain.

Sadly, Barry, Lucky was a cat, and no more able to grasp abstract narrative concepts than he could a knife and fork. Oh, how we laughed at his lack of opposable thumbs.

I feel some measure of his terminal bewilderment, however, when I note that Berry Blast is still being vended in place of Dr Pepper. Why do you persist in this? Why do you torment me so? Wherefore the Berry, Barry?

We are not so different, you and I. Let this strange fruit not come between us, as the offside wheel of a 1999 Impreza so tragically bisected my cat.

Yours,

Simon