Monthly Archive for November, 2006

And share with otters

Otter Pope

I was an altar boy in my youth (misspent in a very real sense). Cassocks, monstronces, sacristies; such were my domain. I did a good line in self-effacing crossing of the altar that would stand me in good stead in later life (pitching up late for seminars is much like mistiming one’s walk down the aisle; a well-timed and immaculately judged bow in the speaker’s direction, and all is forgiven). On the down side, the incense used to make me pass out and I could never remember the name of the thurim- no, thumbi- ah, here we go: “thurible”. You got to nab the dregs of the wine if you were quick, though (naughty, yes, but barely alcoholic in any case), and messing with the charcoal burner was always fun.

Still, this didn’t excuse me from various Catholic practices (no, not those – back then the rhythm method and premature withdrawal were but dance moves and euphemisms for giving up my latest musical instrument). No, things such as First Confession, First Communion and the like, laden with Significant Capitals. First Confession was a good ‘un; a breeding ground for a lifetime of guilt. Being our very First confession (designed to expurgate all those original sins prior to First Communion), it obviously had a lot riding on it. A conscientious 8-year-old, I set about recalling all my sins to date.

Go on; you try it.

Perhaps not having quite passed Piaget’s Concrete Operational Stage of cognitive development (at least, this was my reasoning at the time), I found myself drawing a blank. What had I done wrong, exactly? Not only originally sinless, in my mind I was pretty damn clean since birth. Certainly any harm I had caused was deserved, no? This in itself presented problems. Clearly, God wanted me to admit something, so my failure to think of even one thing was rather serious. Brains were wracked, abortive diaries were ransacked, fictions were considered. Assuming I couldn’t come up with anything concrete, how creative should I get, I wondered? Generic selfishness seemed too prosaic – unlikely to fool a priest of as many years’ experience as Father Louis. Conversely, I was unwilling to ‘fess up to having violated a nun – too lurid; too Tarantino for a suburban diocese’s consumption.

My ruminations continued until the dreaded day – until the head of the queue even, many of my peers having gone forth and proffered plausible misdeeds, to be rewarded with the first of many doses of all-too-temporary absolution. Now I’m sat on the priest’s knee (no giggling), and still I haven’t concocted anything. “Well, my child?” says the priest.

Valiantly I stab out at the last criticism I remember receiving at school. Tragically, nervousness takes over, and I botch it.

“I … I, er, I don’t share well with otters?”

To his credit, the priest doesn’t bat an eyelid. A slight roll of the eyes later, a weary, “is that all?” and clemency is mine. 8 years of otter molestation are forgiven, dismissed with a wave of whatever appendage the Trinity might be said to possess. Relief; blessed relief.

On the way home I remember kicking over a young playmate’s toy farmyard in a fit of livestock-poor pique a mere week previously. In an instant I advance to the fourth cognitive stage, and reason to myself that in a very real sense, we are all otters, therefore this transgression too has been forgiven.

I go forth, and do unto otters as I would have them do unto me.

Ageing by rail

The year is 2006. The month, November. The time, 16.55 (expected). I sit in my lavishly downholstered South West Trains bucket seat, accumulating other people’s dandruff from the headrest, and wonder how on earth my neighbour manages to snore, operate his Blackberry and emit a sort of whistling sound from an unknown orifice all at once (he appears to be attempting to orchestrate the Marseillaise for the Intestinal Discomfort, accompanied by the Polyphonic Ringtone). I don’t get the chance to ask, however, as he is soon distracted by the snack trolley, the inevitable Twix (“two, please”) adding a sort of projectile verve to his exhalations.

Manfully I drag my attention away from my overflowing companion, and return to my previous ponderings, to wit the fact that I am now 27. One age, indivisible. Tragic. Less time stands between me and my 30th birthday than I have spent on public transport*. I might turn 30 before I get off this train. By rights, I should be thinking about having a mid-life crisis soon, and I can’t afford a sports car. I can barely afford a Tonka Truck™. I have two fewer mobile phones than my neighbour (although why he needs to consult all three at once is a slight mystery). I do have considerably more hair than him, although by this point the headrest has ensured that a lot of it isn’t really mine. This cheers me nonetheless, although I worry that my inadvertent hairpiece will defect at the earliest opportunity; already my newfound strawberry blondes are shedding.

Realising my supposedly deep ruminations are getting continually sidetracked by the orca on my left, I attempt once more to focus. I fail. Apparently it’s quite difficult to review your life successfully without plummetting towards the ground at great speed or being otherwise terminally imperilled. Nor, it seems, does the slim possibility of contracting something nasty from the armrest qualify to have one’s life flash before one’s eyes. Perhaps if I ordered an egg sandwich … but no.

Sod it, then. I’ll think about it next year.


* I realise this is absolute cobblers, but work with me here.

The debt we owe hip-hop

“Wassup, dawg?” a young man asks.

“Keepin’ it real, G,” comes the reply.

“A-ight, man.”

A common enough exchange, and one in which we’ve all partaken at some point, even if only vicariously through our wireless sets. Yet the significance is lost on many, so stoic and understated is the delivery. “Wassup, dawg?” – an innocent question; childlike, almost. What, indeed, is “up”? But in a very real way, this question and its consequent affirmation are all that lie between the human race and oblivion.

For the “dawg” in question is holding the very fabric of reality together.

Depending on age, the average rapper can preserve the existence of something the size of a single room up to that of a city block. Tupac in his pomp was reputed to be holding together the entire downtown area of L.A., so real did he keep it. Brazilian economists say nightly prayers to Nas. KRS-One’s personal reality field is so great that manifestations of his dreams haunt his neighbours while he sleeps.

(“Morning, Mrs H. – world domination again, was it?”

“WHAT!? KNEEL BEFO-oh, I’m sorry. Yes, Mr Appleby, it was.”)

What happens, one might ask, when rappers neglect their duties? Overtaxed by “the chronic”, it is hardly surprising that these pillars of society might sometimes let their guard slip. What then?

It is then that Chris de Burgh emerges from the tomb to wreak havoc on mankind.